#39 Michael Paynter
For more than two decades, Michael Paynter has been one of the most quietly influential and widely respected figures in the Australian music industry. Emerging from Melbourne’s club circuit in 2004, he quickly rose to national attention as an international Sony Music recording artist, delivering multiple Top 20 singles and the multi-platinum hit “Love The Fall” (feat. The Veronicas), one of the most-spun Australian tracks of 2010.
A gifted singer, musician and writer, Michael has recorded albums in Los Angeles, London and across Australia, collaborating with world-class artists, writers and producers. His solo career has seen him tour extensively both at home and abroad, supporting Miley Cyrus, The Script, Seal, and performing alongside icons including John Farnham, Hall & Oates, Vanessa Amorosi and Shannon Noll.
From 2013–2020, Michael served as Music Director for The Veronicas, touring Australia/NZ, Europe, the USA and Asia. He is currently a full-time member of both ICEHOUSE and Jimmy Barnes’ touring bands – two of the most enduring and celebrated names in Australian music. His session and touring résumé also includes Robbie Williams (UK), Bachelor Girl, Killing Heidi, Delta Goodrem, Reece Mastin, and many more, making him one of the most in-demand musicians in the country.
Michael is equally at home on some of the nation’s biggest stages and broadcast events. He has become a trusted performer for major corporate showcases and nationally televised moments, including multiple appearances on Carols by Candlelight – one of Australia’s highest-rating annual broadcasts, attracting well over a million viewers nationwide each year. He has performed for the ICC T20 Cricket World Cup, delivered the national anthem at the opening of the 2025 Sydney Test, and was featured at the Sydney launch of the new Toyota Prado. Michael also performed the Australian anthem at the 2015 MotoGP, underscoring his reputation as a world-class vocalist relied upon by major organisations, sporting bodies and global brands.
In 2024, Michael took on the formidable role of “Jesus” in Timothy Sheader’s acclaimed production of Jesus Christ Superstar. His performance drew exceptional critical response, culminating in the Judith Johnson Award for Best Leading Performance in a Musical. A video of the much-loved song, “Gethsemane” soon went viral, capturing the attention of the international theatre world and social media viewers alike, clocking millions of views across platforms.
Alongside his live career, Michael has become a powerhouse behind the scenes. Over the past 15 years, he has built a reputation as one of Australia’s most trusted and successful contemporary songwriters and producers. He is a multiple ARIA Award and Golden Guitar Award winner, dividing his time between Australia and Nashville, and is consistently sought after by major artists and labels. His writing and production credits span Aloe Blacc, Jimmy Barnes, Kaylee Bell, Cooper Alan, Casey Barnes, James Johnston, TKay Maidza, Tina Arena, Mason Ramsey, and many others.
Across his body of work – on stage, in the studio, and across continents – Michael Paynter has become synonymous with musical excellence, creative integrity and unwavering professionalism. With a rare blend of grounded confidence, mastery and experience, he remains a compelling force in Australian music: a true craftsman dedicated to elevating every project he touches.
#12 - Andrew Stafford
What do you love about music? What are your favourite records? Have you ever felt like a song has saved your life?
For Andrew Stafford, todays guest… music did just that… and in his words… because those who can’t play music review it, he has carved out a career writing about music instead. Andrew Stafford is a freelance journalist and the author of Pig City, a celebrated musical and political history of Brisbane. He has written for The Age, The Guardian, The Sydney Morning Herald among others.
And In 2019 we sat down in his Brisbane home, surrounded by a pretty incredible record collection to talk about his second book, a beautiful and incredibly moving memoir called SOMETHING TO BELIEVE IN.
#11 - William Barton
How does an one of Australia’s leading performer/composers in the classical world use the didgeridoo, an Indigenous Australian wind instrument, dating back over 1000 years, to navigate a more contemporary musical styles, expanding the horizons of the instrument and the culture it represents.?